All 12 songs from the 2005 sophomore release by this Marilyn Manson guitarist. Includes: Damaged * Soul of a Robot * Behind the Nut Love * Blue's Balls * Gods and Monsters * 2 Die 4 * Death Valley * Perineum * De'nouement * and more.

14 of Williams most beloved themes from movies arranged so even beginning pianists can sound great, including: Harrys Wondrous World ? Hymn to the Fallen ? The Imperial March (Darth Vaders Theme) ? Theme from ?Jaws? ? Theme from ?Jurassic Park? ?Raiders March ? Reys Theme ? Theme from ?Schindlers List? ? Star Wars (Main Theme) ? and more.

Par HILAND JOHNNY. Recorded lessons from one of America's greatest guitarists. Johnny Hiland teaches essential Licks and Tricks every great Blues, Rock and Country player should know. Lessons in standard notation and TAB. Includes access to online audio. Recorded lessons from one of America's greatest guitarists. Johnny Hiland teaches essential Licks and Tricks every great Blues, Rock and Country player should know. Lessons in standard notation and TAB. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Pédagogie / Tablatures / Guitare Flatpicking et Fingerpicking

for violin and Piano. Par WILLIAMS JOHN. Partitions pour violon et piano de 3 morceaux de la bande originale du film La Liste de Schindlers. / Niveau : Intermédiaire - Avancé / Rép Classique / Recueil / Violon et Piano

Commissioned for Tenebrae and their director Nigel Short. John Tavener writes:'Mother and Child celebrates the miracle of childbirth. It also celebrates Mary in her universal aspect as mother of all Prophets andco-redemptress with Christ. But behind all this is the Theophanic Light single and infinite and the same in every Religious tradition. The music is at once tender ecstatic and luminous and follows the text. I have interpolatedinto Brian Keeble’s poem texts celebrating the Eternal feminine in Greek and then at the climax an outburst in Sanskrit of ATMA. This is supreme Reality the true Self shining and infinite the one single God expressedin music by pulsating awesome strokes on the Hindu Temple Gong with organ and choir in massive blocks. This seems to say that the real ‘Mother and Child’ are both beyond birth and beyond death and beyond time.'

Tu Ne Sais Pas is a work by John Tavener for Medium Voice Timpani and Strings. The work sets words by the French poet and philosopher Jean Biès and from Islamic and Hindu sources. This is theVocal Score and lasts around 19 minutes. Commissioned by Maestro Ignat Solzhenitsyn for The Chamber Orchestra of Philadelphia it was first performed on 20th March 2009 at the Perelman Theater The KimmelCenter for the Performing Arts Philadelphia by Katherine Pracht (mezzo-soprano) and The Chamber Orchestra of Philadelphia conducted by Ignat Solzhenitsyn. Two poems by the contemporary French poet Jean Biès form thebasis of the work. Two traditional Islamic and Hindu texts have been inserted into the second poem creating a powerful composition that is subtitled 'A Metaphysical Paradox'.

Ensemble parts from the work for Flute (doubling Piccolo) Clarinet in B flat* Very large Tam-Tam (sounding from a high gallery) and Choir (SSATTBB).* Notated in C in the score. 'According to Hindu Cosmology we live at the end of a cycle the Kali Yuga the Dark Age. There are two important sayings of Christ that should accompany his disciples always during these challengingtimes. The first is ?The Gates of Hell shall not prevail against my Church? (Matthew 16 v. 18); and the second ?I am with you always unto the end of theworld? (Matthew 28 v. 20). These sayings form the basis of this work which falls into two main sections each with the same structure and with linkedmaterial. Each section begins with Kali Yuga which I have tried to represent in a chaotic unstructured way in contrast to the cosmic Cries of Humanity to Christ (Kyrie eleison - Lord have mercy) and Christ?s responses fromSaint Matthew?s Gospel.The work ends with a serene ?Coda? of the sacred monosyllable ?OM? representing the peace and beatitude of God?s presence. The intermingling of Christianity and Hinduism is an important simile forour times; in the same way early Christianity did not hesitate to incorporate Jewish and Greek thought.' - John Tavener

John Lee Hooker is one of the few legendary bluesmen to crack the MTV barrier. He has recorded and performed with a host of contemporary pop stars. John Lee's music hasn't changed but the accompanying musicians have. This 58 minute video presents John Lee performing with many of his friends from 1984 to 1992. Ry Cooder duets on three tracks. Robert Cray burns up the fretboard on Mr. Lucky John Hammond plays slide behind Father Was a Jockey and Bonnie Raitt cajoles and teases on I'm In The Mood.

Instructional Guitar DVD-This DVD is one of most shocking guitar instruction and performance DVDs of all time! In this first-ever DVD from John 5 you will not only take a journey into his twisted mind but you will also learn some of the techniques that have set him apart from guitar players everywhere. Included here are full live performances of four songs as well as exclusive lessons and instruction on techniques such as: Banjo rolls Behind the nut bends Tapping Arpeggios Double stops Country bends Chicken pickin' Pedal steel bends and more. This DVD is not for the faint of heart and is unlike anything you haveseen before with an initmate and compelling perspective on John's life and inspiration! **PARENTAL ADVISORY: MATURE CONTENT**

John Tavener's Fragment For The Virgin for Violin with piano accompaniment. It was first performed on 6th February 2005 as part of the Music Sales Stradivarius Concert at the Wigmore Hall London by Nicola Benedetti(violin) and Alison Rhind (piano).

John Luther Adams' Canticles Of The Sky for String Quartet. Composer's Note: In the Arctic sky the low angle of the sun and heavy ice crystals in the air often produce vivid halos arcs andsundogs (parhelia). Sometimes these phenomena create the illusion of multiple suns. 'Sky With Four Suns' is a musical evocation of such an apparition from sunrise to sunset. Similar visions also occur at night which isthe image behind 'Sky With Four Moons.' 'Sky With Nameless Colors' and 'Sky With Endless Stars' evoke the extraordinary depth and clarity of Sonoran Desert skies. This music is drawn from Canticles of the Holy Wind– a concert-length work for four choirs and vocal soloists. In this version sixteen separate choral parts have been condensed into the string quartet. String designations should be carefully observed. Frequent stringcrossings are employed to create as lush and continuous textures as possible. All sounds should be legato. Bowing is free and full throughout. Total performance duration is about 18:00

The term ?soundtrack of our lives? is one commonly tossed around by artists fans critics and historians in discussing rock 'n' roll's timeless hits spanning every subgenre from pop to hard rock heavy metal to new wave.In the pages of Behind the Boards: The Making of Rock 'n' Roll's Greatest Records Revealed the first definitive rock record-producers' anthology of its kind readers are taken inside the studio into the creation of the generations of classic records that collectively make up that soundtrack of our lives.The book appeals to both fans and academic audiences interested in the art of sound recording/record producing providing a rich demographic spread of potential niche and mainstream markets. This is the first definitive record-producers' anthology to cross every one of rock's subgenres featuring intimate first-hand accounts of how the making of many of rock 'n' roll's greatest hits were created via exclusive interviews with the producers who recorded them. Some of the songs discussed are ?Every Breath You Take? by the Police ?Comfortably Numb? by Pink Floyd ?In the Air Tonight? by Phil Collins ?Smells like Teen Spirit? by Nirvana ?Beautiful Day? by U2 ?One? by Metallica ?You Shook Me All Night Long? by AC/DC ?Sabotage? by the Beastie Boys ?Jane Says? by Jane's Addiction ?Sledge Hammer? by Peter Gabriel and ?Sweet Emotion? by Aerosmith among countless others by legends like Bob Dylan the Rolling Stones Kiss Led Zeppelin Bob Marley the Red Hot Chili Peppers Soundgarden the Pixies The Who Jimi Hendrix Journey Judas Priest Mötley Crüe Sting Tom Waits Smashing Pumpkins Pink John Mellencamp the Black Crowes New Order Ministry Fleetwood Mac Foreigner and many more.

For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'